I’m always worried about people who think that a new year will be a fresh slate. The truth is, it’s usually the small decisions leading up to a big decision that are the new beginning. In life, everything builds on the last thing in its place.
Last night, I worked a camera shooting the Jeff Healey Band at the Rockin’ New Year’s Eve festivities in Victoria Park. While Mr. Healey was up there, the skies were clear and the wind was slightly balmy. However, all of the crew was chilled to the bone, freezing cold, because our entire time doing the set up (raising the scaffolding, assembling the cameras, running the cables to everything) was done in stinging rain. About half-way through this miserable experience, I thought, “why did I sign up for this?” The answer is, of course, that I’m trying to be a good little volunteer. I want to learn how to work the camera, how to put together equipment and what cables go where. I want the experience of filming and editing. I need the experience. It’s the small decisions like returning an e-mail from the volunteer co-ordinator that lead up to these things.
And it’s the volunteer co-ordinator (or rather, her lack of communication skills and initiative) that has made me sign up for shit like this (bear with me). The current volunteer co-ordinator is actually filling in for the regular woman who has been on a year’s maternity leave. My own personal complaints about her number in the tens, however, as I learned last night, very few of the producers are pleased with her, either.
There is a core of volunteers at the TV station who have years of experience on crews, both in the studio and on mobile. These people know almost everything about it without having gone to school for broadcasting, and they are relied on very heavily. Because the co-ordinator has not put together any volunteer workshops on the equipment or other skill sets, those of us who are new are often passed over for more challenging work in favour of this core of trained and very experienced people–by the producers. They don’t know our skills, and they are reluctant to give us the task of running the audio boards or directing other crew. The result is, we usually stand around with our thumbs up our asses (not literally–sorry for the image, folks). I can’t blame them.
However, I can get angry when the co-ordinator does not keep the crews informed of last-minute changes to the schedule or to programming. Yesterday, for example, I arrived at the studio at 2 p.m., as I was informed in the mass e-mail she sent out to the volunteers. I had informed her of my intent to crew this event, and she had confirmed my interest, so I figured the information she gave me was accurate. However, when I got to the station, the producer and five other members of the crew were not there…another poor fella and I were informed that the crew had already gone to the park. Crew call at the station was 1:30 p.m. I was PISSED, and almost went home right then. I expressed my displeasure to the supervising producer (a super cool guy), and he said there were changes afoot and to just, please, bear with him/the producers while they were being effected. I decided not to go home.
This was not the first time, either. I was apparently late for the Remembrance Day ceremonies, too. And in one spectacular incident, I almost didn’t get to do a remote shoot at the Millionaire House (a house valued at a cool million dollars is the big prize in a hospital lottery) for the Daytime morning talk show. If the HOST of the show hadn’t realized that we weren’t in the studio that day and shown up there, I would have had to call Esso and have him pick me up and take me home, missing my only volunteer opportunity of the week.
Oh, and for eight weeks, I was a half hour late to the Daytime show because the co-ordinator told me in an e-mail that crew call was 10:30 a.m. After a couple weeks of dirty looks, I asked the producer when crew call actually was, and my jaw hit the floor when she told me it was 10 a.m. I felt like a schmuck! I asked one of the core people, “has anyone said anything about me being late all this time?” and they replied, “yes, somebody said something to the producer, that’s why you’re only doing guest liaison. She doesn’t trust that you’ll be here on time.”
(As an aside, Guest Liaison is a fun job; you get to talk to the guests ahead of time, give them water, coffee, whatever, make sure their information is correct for the graphics person and pass on any interesting information they tell you to the hosts and producer to make the show go more smoothly. You also get them ready for the show by putting a microphone on them and place them on set, attaching the mic to its cable. As important as it is, it’s not as essential as running the camera, doing the audio or inputting the graphics. In short, it’s a non-job.)
This is what it boils down to: I look unprofessional and amateurish because a) I’m often late or in the wrong place, b) I usually have to be taught what I am doing on the fly, c) I’m often in a crabby mood because I have found out that I’m already late, or I’m not in the right place. The problem then, is, I feel like I am not valued or not appreciated for the work that I’m doing. I don’t get the extra special treats that the core of experienced volunteers get from the producers who are appreciative of the volunteers, and I don’t get the challenging work.
To top it off, the co-ordinator then gives me subtle little signals that I am not flexible enough for the producers to use me. I didn’t want to get the job selling shoes. In fact, as much as I like my boss and my co-workers (which is a lot, considering), I would love nothing better than to quit and just do the volunteering and the school. But I need this job in order to pay for school. Because it is retail, it means I have no set schedule, and no set schedule means I cannot commit to any one show, which is what the volunteer co-ordinator is trying to get me to do. (breathe j-girl, breathe)
I’m going to stick it out a little longer, at least until I meet the returning volunteer co-ordinator. After that, who knows. I would HATE to give this up.
On the other hand, I kicked some serious ass last night on camera. The producer KS, who I have loathed working with before, was fantastic, and gave me very positive feedback as well as constructive advice. He’s growing on me.